Higuchi remarked in a 2004 interview that because Yamaga's storyboards were minimalist, containing only the field size, the number of characters in the frame, and the placement of the dialogue,[y] Royal Space Force was not made in a typical fashion for an anime, where the animators would be given directives to "draw this picture." Instead they were asked to "think out the performance in this scene," with meetings where the animators themselves determined how scenes would move by first physically acting them through as if they were attempting to convey it to an audience; the camera angles to be used were also decided by the animators through discussion.
是樋口真嗣说的。他还说他觉得很好玩，但一开始也是抱有疑问的。也有不少不愿意干辞掉的：
He described the process in retrospect as having been "a lot of fun," yet noted there were some animators who had refused to work in such a fashion, and backed away from the production.[z] Higuchi noted that he himself had doubted at first whether he'd made a mistake by joining the project, which he initially found difficult to understand.
王立宇宙軍 オネアミスの翼
山贺做现在的演出工作的绘画力还是够的，就是那会身边的人都这么会画加上那时流行东映系、宫崎那种，所以自己一直有自卑情绪。我猜的