Acting Class 漫画

  • 中文名: 表演课
  • 出版社: Drawn and Quarterly、臉譜出版
  • 页数: 248
  • ISBN: 9781770464926
  • 作者: Nick Drnaso

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brilliant and suspenseful follow-up to the Booker-nominated graphic novel Sabrina.
"Every single person has something unique to them which is impossible to re-create, without exception." ―John Smith, acting coach
From the acclaimed author of Sabrina, Nick Drnaso’s Acting Class creates a tapestry of disconnect, distrust, and manipulation. Ten strangers are brought together under the tutelage of John Smith, a mysterious and morally questionable leader. The group of social misfits and restless searchers have one thing in common: they are out of step with their surroundings and desperate for change.
A husband and wife, four years into their marriage and simmering in boredom. A single mother, her young son showing disturbing signs of mental instability. A peculiar woman with few if any friends and only her menial job keeping her grounded. A figure model, comfortable in his body and ready for a creative challenge. A worried grandmother and her adult granddaughter; a hulking laborer and gym nut; a physical therapist; an ex-con.
With thrumming unease, the class sinks deeper into their lessons as the process demands increasing devotion. When the line between real life and imagination begins to blur, the group’s deepest fears and desires are laid bare. Exploring the tension between who we are and how we present, Drnaso cracks open his characters’ masks and takes us through an unsettling American journey.
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nekojiruso 读过 @ 2023-7-19 00:17

弄巧成拙?阅读过程中始终在意的是现实与虚构(即“真”与“假”)界限的隐去,在“入戏”的顷刻,认同(identification)便参与了想象秩序的构建,但内摄(introjection)诱发的破坏性撕裂了这种防御机制,“现实”的完成也缺乏必要(尽管难以言说但仍需呈现的)过渡。在表演中,场景是假的,人才是真的,Drnaso的造物却让这两者的属性颠倒。虽说艺术真实是“主观的真实”,但至少也应符合假定性情境中的逻辑关系。(感觉像某部恰克帕拉尼克没写好的小说)

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