- 艺术家: Parannoul
- 发售日期: 2021-02-23
- 价格: 免费
- 播放时长: 61:37
- 碟片数量: 10
I still remember the first korean indie musician I heard. His music was so amateurish and difficult. The next musician I listened to had a great influence on my music life. However, his music was not promoted properly. Now they are all living their lives, disappearing from the Internet.
However, listening to their songs still reminds me of memories that never existed. Memories, recording alone in a small dark room, giving out a demo album to acquaintances, and forming a band in the club. Memories, in the early 2000s, when there was romance, performing at the Hongdae club with a few audiences, and then living each day without a plan. I'm sure I'll never forget them forever.
I want to be a person like them, who is remembered and talked to for the rest of one's life. Through these works, I want to leave a little trace of my own, no matter how stupid and anachronistic dream it may be.
This album can be said to be the answer to my dream.
This is an album about a person whose body is an adult but mind is still a child, due to the wide gap between ideal and reality. He believes he is talented, and he thinks he will definitely become a world tour rock star in the future. In reality, however, he had never played a guitar while he was 21, his singing skills are fucking awful, and is below average in height and appearance and everything.
How will he react now, who has just faced reality as an adult after adolescence?
This album contains references to many things that influenced my adolescence, such as Lily Chou Chou, Welcome to the NHK, Goodnight Punpun, and Neon Genesis Evangelion. Rather than trying to exclude it, I put it as honestly as I wanted.
The feelings that I have felt for the past 3 years are also honestly contained.
Delusion, Inferiority, Past, Non-adaptation, Escapist, Fantasy and Disillusion, Struggle, Most Ordinary Existence, Lethargy, and Suicide.
Only complaints about those feelings are left in this album, and there is no such thing as overcoming them. I can't give you a sweet word of consolation. I can't say "It's gonna be okay someday".
I just hope there will be more active losers like me in the world.
more...
However, listening to their songs still reminds me of memories that never existed. Memories, recording alone in a small dark room, giving out a demo album to acquaintances, and forming a band in the club. Memories, in the early 2000s, when there was romance, performing at the Hongdae club with a few audiences, and then living each day without a plan. I'm sure I'll never forget them forever.
I want to be a person like them, who is remembered and talked to for the rest of one's life. Through these works, I want to leave a little trace of my own, no matter how stupid and anachronistic dream it may be.
This album can be said to be the answer to my dream.
This is an album about a person whose body is an adult but mind is still a child, due to the wide gap between ideal and reality. He believes he is talented, and he thinks he will definitely become a world tour rock star in the future. In reality, however, he had never played a guitar while he was 21, his singing skills are fucking awful, and is below average in height and appearance and everything.
How will he react now, who has just faced reality as an adult after adolescence?
This album contains references to many things that influenced my adolescence, such as Lily Chou Chou, Welcome to the NHK, Goodnight Punpun, and Neon Genesis Evangelion. Rather than trying to exclude it, I put it as honestly as I wanted.
The feelings that I have felt for the past 3 years are also honestly contained.
Delusion, Inferiority, Past, Non-adaptation, Escapist, Fantasy and Disillusion, Struggle, Most Ordinary Existence, Lethargy, and Suicide.
Only complaints about those feelings are left in this album, and there is no such thing as overcoming them. I can't give you a sweet word of consolation. I can't say "It's gonna be okay someday".
I just hope there will be more active losers like me in the world.
東亞shoegaze神，可惜樂隊不再演出
青少年糖水音乐，这张之后Parannoul就没啥好作品了
最爱的一张shoegaze，太爽了。个人最爱white ceiling。我们东亚自己的loveless，每次听都会想到第一次听时的夏天
又看了遍莉莉周
东亚自己的loveless 不过肯定没loveless好就是了
最烦的一张
흰천장 (White Ceiling)，엑스트라 일대기 (Extra Story)，To See the Next Part of the Dream，아름다운 세상 (Beautiful World)
好吧 其实我还是喜欢这个
在bangumi标记这些音乐的人一定是闲的
阿巴阿巴，你班怎么多了这么些非二次元的专辑。